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Nobel Laureate Mo Yan’s Masterpiece “Crocodile” Debuts on Hong Kong Stage – Don’t Miss the Premiere! 諾貝爾文學獎得主莫言劇作《鱷魚》香港首演

Nobel Laureate Mo Yan’s Masterpiece “Crocodile” Debuts on Hong Kong Stage – Don’t Miss the Premiere! 諾貝爾文學獎得主莫言劇作《鱷魚》香港首演

Seminar on Deep Writing: Human–Machine Co-Creation and the Future of Authorship

Seminar on Deep Writing: Human–Machine Co-Creation and the Future of Authorship

二十一世紀「荀學復興」成形之脈絡、意義以及未來展望 Context, Significance and Prospect for the “Reconstruction of Xunzi Studies” in the 21st Century

二十一世紀「荀學復興」成形之脈絡、意義以及未來展望 Context, Significance and Prospect for the “Reconstruction of Xunzi Studies” in the 21st Century

蒼涼自然，女性悲歌：張愛玲的生態女性視野 Bleak Nature, Women's Sorrow: Eileen Chang's Ecofeminist View

[活動回放]蒼涼自然，女性悲歌：張愛玲的生態女性視野 Bleak Nature, Women's Sorrow: Eileen Chang's Ecofeminist View

20251114

Chineseness Never Again: The Epistemology of Culturality Underlying the Politics of Identity

Infinite Metaphors of Genre: Flow (Liu) as the Transcultural Suffix in Chinese Internet Literature 類型的無限隱喻：中國網路文學中的跨文化尾碼“流”

Infinite Metaphors of Genre: Flow (Liu) as the Transcultural Suffix in Chinese Internet Literature 類型的無限隱喻：中國網路文學中的跨文化尾碼“流”

Sacrificing to the Gods and Purifying the People: New Perspectives on Qin Religious Practices and Beliefs from Recently Excavated and Recovered Documents

[活動回放]Sacrificing to the Gods and Purifying the People: New Perspectives on Qin Religious Practices and Beliefs from Recently Excavated and Recovered Documents

讀照片的人：張愛玲小說的照片、情感交際與記憶 The Reader of Photographs: Photographs, Emotional Exchanges, and Memory in Eileen Chang’s Fiction

[活動回放]讀照片的人：張愛玲小說的照片、情感交際與記憶 The Reader of Photographs: Photographs, Emotional Exchanges, and Memory in Eileen Chang’s Fiction