日期 | 標題 | |
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2023 |
“To Sing Out, To Lament: A Study on the Ming Loyalist Zhang Yuan and His Drama Yingtao Yan” 「唱歎無端似不平」:遺民張源及其雜劇《櫻桃宴》考論, Xiqu yu suwenxue yanjiu戲曲與俗文學研究, forthcoming. |
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2022 |
Textual Research on Mingxin Jian (Mirror for Enlightening the Mind) and Liyuan Yuan (The Origins of Theater): Authorship, Editions and Circulation 《明心鑒》與《梨園原》考辨:作者、版本與流傳, Xiqu yanjiu 戲曲研究, Volume 124 (2022), 40-67. |
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2020 |
A Re-examination of the Relationship between Tang Xianzu and Luo Rufang 湯顯祖與羅汝芳關係再探, Tang xianzu xuekan湯顯祖學刊, Vol. 6-7 (2020), 100-115. |
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2020 |
“The Representation of Southern Ming Loyalties in the Qianjia Drama: Qu Shisi and He Guilai” 乾嘉戲曲中的南明忠臣再現:瞿式耜與《鶴歸來》, Journal of Guizhou University (Art) 貴州大學學報(藝術版), Vol. 34:1 (2020), 51-60. |
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2018 |
“A Study of the Manuscripts of Shen Qifeng’s Four Plays: The Full-story Performance of Kunqu since the Qianjia Period” 沈起鳳《紅心詞客四種曲》鈔本考述:兼論乾嘉以降崑曲全本戲演出, Xiqu yu suwenxue yanjiu戲曲與俗文學研究, Vol. 6 (Dec 2018), 150-169. |
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2015 |
“Ritual, Memory and Social Order: An Exploration of the Relationship between Qing Literati Plays and Local Society” 儀式、記憶與秩序:清文人戲曲與地方社會關係之探索, Chinese Studies漢學研究, Vol. 33:3 (Sep 2015), 275-306. |
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2012 |
“The Moral Reflection in Jiang Shiquan’s Plays: From Konggu Xiang to Xiangzu Lou” 論蔣士銓作品中的道德思考:從《空谷香》到《香祖樓》, Yunhan xuekan 雲漢學刊, Vol. 25 (Aug 2012), 122-140. |