People
Prof. SONG Geng 宋耕教授
Translation Programme
Professor, Programme Director of MAT & UG Programme Coordinator of TR
BA (Beijing Foreign Studies University), PhD (HK)
852-39177923
852-28581334
Rm 806, Run Run Shaw Tower, Centennial Campus, HKU
Chinese Television Culture, Gender and Sexuality, Masculinities in East Asia, Translation and Cross-cultural Studies
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2023 |
“The Afterlife of the Tang Monk: Buddhist Masculinity and the Image of Xuanzang in East Asia.” In Megan Bryson and Kevin Buckelew, eds., Buddhist Masculinities (New York: Columbia University Press, 2023), pp. 259-287. |
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2022 |
“Cosmopolitanism with Chinese Characteristics: Transnational Male Images in Chinese TV Dramas.” In Derek Hird and Geng Song, eds., The Cosmopolitan Dream: Transnational Chinese Masculinities in a Global Age (Hong Kong: Hong Kong University Press, 2018), pp. 27-39. |
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2016 |
“All Dogs Deserve to Be Beaten: Negotiating Manhood and Nationhood in Chinese TV Dramas.” In Kam Louie, ed., Changing Chinese Masculinities: From Imperial Pillars of State to Global Real Men (Hong Kong: Hong Kong University Press, 2016), pp. 204–219. |
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2015 |
“Imagining the Other: Foreigners on the Chinese TV Screen.” In Ruoyun Bai and Geng Song, eds., Chinese Television in the Twenty-first Century: Entertaining the Nation (London and New York: Routledge, 2015), pp. 107–140. |
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2014 |
“A Sound Wave of Effeminacy: K-pop and the Male Beauty Ideal in China.” In JungBong Choi and Roald Maliangkay, eds., K-pop and the International Rise of the Korean Music Industry (London: Routledge, 2014), pp. 164–177. |
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2013 |
“Can Culture be Translated? The Transformation of Otaku Culture in China.” In Si, C.M., Yeung, W.O. et al., eds., Myriad Streams Maketh the Ocean: New Currents in Chinese Studies (Hong Kong: Chung Hwa Book Co., 2013), pp. 366–388. |