People
Prof. WU Cuncun 吳存存教授
Chinese Language and Literature Programme
Professor
BA (Hangzhou), MA (Nankai), PhD (Melbourne)
852-39174606
852-28581334
Rm 820, Run Run Shaw Tower, Centennial Campus, HKU
Ancient Chinese Culture and Art, Chinese Culture Studies, Drama, East-West Cultural Exchange, Fiction, Gender and Sexuality, Ming-Qing Literature, Ming-Qing Studies, Songbooks
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2022 |
Wu, Cuncun, “A Late Ming ‘Adult Magazine’: Questions of Date, Design and Content in A Book of Springtime Inspirations from the Bedchamber as Transmitted Secretly by a Publisher in the Capital,” Zheng Haiyao and Christer von der Burg eds. Ming Dynasty Colour-Printed Erotica: The Christer von der Burg Collection, vol.1, Monaco: Chungong Editions, 2022, pp.74-89. |
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2022 |
Wu, Cuncun, “’Sancai fu’ and the Civil Society and Values of Gusu in the Middle and Later Qing Period” (《三才福》与清中晚期的姑苏平民社会和价值观), Nankai Journal 《南開學報》, 2022:4, pp.163-173. |
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2021 |
Wu Cuncun, “Commoners’ Love Songs: Low Social Strata Perspectives on Gender and Sexuality as Represented in Late-Qing Popular Songbooks from North China.” (平民的情歌——從晚清北方平民唱本看下層女性對性别和性愛的理解與期待), Xiqu yu suwenxue yanjiu (Journal of Drama and Popular Literature, 戲曲與俗文學研究), vol.9, pp.18-39. |
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2020 |
Wu Cuncun, “Suzhou Dialect, Social Status, and Gender in Sancaifu, a Rediscovered Mid-Qing Chuanqi Play”, Chinoperl: Journal of Chinese Oral & Performing Literature, 39:1, pp.7-30. |
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2020 |
Wu Cuncun，"春意冊中的兩篇改寫小說" (Jingyuan michuan dongfang chunyice and Its Two Reworked Erotic Stories), 《中國文化》第52期 (Chinese Culture), vol.52, pp.91-103. |
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2017 |
Wu Cuncun, “Late Ming Urban Life and Wanton Women in Huang Fangyin’s Short Plays”, in Mark Stevenson & Wu Cuncun eds. Wanton Women in Late-Imperial Chinese Literature: Models, Genres, Subversions and Traditions, Leiden & Boston: Brill, pp.105-128. |
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2016 |
Wu Cuncun, “Pornographic Modes of Expression and Nascent Chinese Modernity in Late Imperial China”, Modernism/Modernity (The Johns Hopkins University Press), vol 1, Issue 3, 25 October 2016. |
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2016 |
Wu Cuncun, “The Plebification of Male-Love and the Positioning of Catamites (xiaoguan) in Late-Ming Fiction: The Forgotten Tales of Longyang”, in Kam Louie edit. Changing Chinese Masculinities: from Imperial Pillars of State to Global Real Men, Hong Kong: University of Hong Kong Press, pp. 72-89. |
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2014 |
Wu Cuncun, 《從〈歡喜冤家〉中的通姦故事看晚明城市普通人的價值觀和道德觀念的崛起》(Tales of Adultery in Enemies Enamored: Images of Urban Life and Questions of Value, Morality and Erotics in late Seventeenth Century Jiangnan),《中國文化》(Chinese Culture), 40 (Autumn 2014): 69-79. |
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2014 |
Wu Cuncun, “Official Life: Homoerotic Self-Representation and Theater in Li Ciming’s Yuemantang Riji”, Frontiers of History in China, Brill, 9 (2): 202-24. |
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2011 |
Wu Cuncun and Mark Stevenson, "Karmic Retribution and Moral Didacticism in Erotic Fiction from the Late Ming and Early Qing," Ming Qing Studies (2011): 467-486. |
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2010 |
“‘It Was I Who Lured the Boy’: Commoner Women, Intimacy and the Sensual Body in the Song Collections of Feng Menglong (1574-1646),” Nan Nü: Men, Women and Gender in China. vol. 12 (2), pp. 311-343 |
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2010 |
Wu Cuncun and Mark Stevenson, “Speaking of Flowers: Theatre, Public Culture, and Homoerotic Writing in Nineteenth-Century Beijing,” Asian Theatre Journal, 27 (1) (Spring 2010): 100-129. |